Aerial Fragment: ‘mix’



Ghost Codes 006

Break went round to Dixie’s with the plates he had picked up from outside the X-Ray parlour. He helped press up the latest tunes.

They drove to the club. Dixie took over the booth, started playing. The crowd moved to the beats. Break watched the discs spinning.

It was a sight he never grew tired off: Dixie working the decks whilst damaged parts of the human body circled beneath her fingers:

Spinal columns, thigh bones, shoulder blades. Two skulls spinning at the same time, conjuring crazy bad thoughts out of the grooves.

The biggest thrill? The sight of two transparent hands, their smashed-up fingers and wrists all grey and ghostly on the X-Ray plastic.

And Dixie’s own hands, fully fleshed, moving above the two broken examples. The music floating upwards from the mix like spirit smoke.



20110909 by temp_user9





Ghost Codes 017

Drops of rainwater. Hiss of acid on metal. Globules of sound. Murmurs, whirrs, sudden freak-out guitar in a five second burst.

Dixie working the X-Ray plates, extracting the mix from a skull and a sickened heart. Spell of rhythm. People stepping to the floor.

Noise magic. A kiss of lips, magnified. Ticking clocks, food sizzle, static, jazz bass flecks and splinters forming undercurrent pull.

Now the drop in the mix where the singer’s scream once lived, a slow fade of echoes. Repeat. A few dancers moving in response…

Slowly swaying, slowly rising to fall in time with music box fragments, whispers, radar clicks; the beat coalescing. Crowd swell.

Dixie adding body music: breath, vein flow, brain activity. The missing scream coming round again. This time the dancers move as one.

And there stands Break at the centre, at the hot crush-heart liquid blood-river chaotic centre of it all, feeling himself pulled aloft.

[: REMIX :]



20111101 by temp_user9





The Fog Catchers 004

The market’s abuzz with life, with hundreds of people jostling to sell and to buy: ghost music, image peels, fogscapes, voodoo mixes.

We have a stall set out and we’re doing pretty well. My dad tells me it’s because I’m a natural image-spotter, the best in the game.

I’m not exactly sure about that, but I’m happy to let him think it. Anything to keep him sane, these days, away from the drink.

On my break, I head over to Candy’s Tattoo Palace. Jake is there, and we do the secret smile. He works on Saturdays, running errands.

Candy’s doing the ink-show on a man. His bare arm glows with light, with a little 3D image that rises from his skin, twirling around.

I recognise it. A girl’s face I found on our net two weeks ago, that dad peeled clean and sold on to Candy. Now it’s brought to life.

Makes me feel proud, and I’m smiling at that. But Jake pulls me aside, acting like he’s in a noircast or something, says to watch out.

Why? He says that some guys were asking after me. Fog catchers, rivals. “Rumour is, Zee, they’re none too keen on your expertise.”

Me? But I’ve done nothing wrong. “Well somebody thinks so,” says Jake. “And these are bad guys. I think they’re after hurting you.”



20120113 by temp_user9